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of the church was painted by other masters with stories of David, wrought with a high finish. And in truth it is not without reason that these pictures are held in much esteem by the Bolognese, both because, for old things, they are passing good, and also because the work, having been preserved fresh and vivacious, deserves much praise. Some say that the said Galasso, when very old, painted also in oil, but neither in Ferrara nor in any other place have I found any works of his save in fresco. A disciple of Galasso was Cosme, who painted a chapel in S. Domenico at Ferrara, and the folding doors that close the organ of the Duomo, and many other works, which are better than the pictures of Galasso, his master. Niccolo was a good draughtsman, as it may be seen in our book, wherein there are an Evangelist and three heads of horses by his hand, very well drawn. DELLO LIFE OF DELLO PAINTER OF FLORENCE Although Dello the Florentine, while he lived, had only the name of painter, which he has had ever since, he applied himself none the less also to sculpture--nay, his first works were in sculpture, seeing that, long before he began to paint, he made in terra-cotta a Coronation of Our Lady in the arch that is over the door of the Church of S. Maria Nuova, and, within the church, the twelve Apostles; and, in the Church of the Servi, a Dead Christ in the lap of the Virgin, with many other works throughout the whole city. But, being capricious, and also perceiving that he was gaining little by working in terra-cotta and that his poverty had need of some greater succour, he resolved, being a good draughtsman, to give his attention to painting; and in this he succeeded with ease, for the reason that he soon acquired a good mastery in colouring, as many pictures demonstrate that he made in his own city, and above all those with little figures, wherein he showed better grace than in the large. And this ability served him in good stead, because the citizens of those times used to have in their apartments great wooden chests in the form of a sarcophagus, with the covers shaped in various fashions, and there were none that did not have the said chests painted; and besides the stories that were wrought on the front and on the ends, they used to have the arms, or rather, insignia of their houses painted on the corners, and sometimes elsewhere. And the stories that were wrought on the front were for the most part fabl
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