FREE BOOKS

Author's List




PREV.   NEXT  
|<   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   >>  
e made by the managers of the symphony concert in Central Music Hall night before last was in not opening the concert with Beethoven's "Eroica," instead of making it the last number on the programme. We incline to the opinion, however, that, in putting the symphony last, the managers complied with the very first requirement of dramatic composition. This requirement is to the effect that you must not kill all your people off in the first act. There doubtless are a small number of worthy people who enjoy these old symphonies that are being dragged out of oblivion by glass-eyed Teutons from Boston. It may argue a very low grade of intellectuality, spirituality, or whatsoever you may be pleased to call it; but we must confess in all candor, that, much as we revere Mr. Beethoven's memory, we do not fancy having fifty-five-minute chunks of his musty opi hurled at us. It is a marvel to us, that, in these progressive times, such leaders as Thomas and Gericke do not respond to the popular demand by providing the public with symphonies in the nutshell. We have condensations in every line except music. Even literature is being boiled down; because in these busy times, people demand a literature which they can read while they run. We have condensed milk, condensed meats, condensed wines,--condensed everything but music. What a joyous shout would go up if Thomas or Gericke would only prepare and announce "_SYMPHONIES FOR BUSY PEOPLE! THE OLD MASTERS EPITOMIZED!_" What Chicago demands, and what every enterprising and intelligent community needs, is the highest class of music on the "all-the-news-for-two-cents" principle. Blanket-sheet concertizing must go! Now, here was this concert, night before last. Two hours and a half to five numbers! Suppose we figure a little on this subject: EXHIBIT A--SYMPHONY. Total number of minutes . . . . . . . . . . 150 Total number of pieces . . . . . . . . . . . 5 Minutes to each piece . . . . . . . . . . . 30 EXHIBIT B--TRADE. Total number of minutes . . . . . . . . . . 150 Hog-slaughtering capacity per minute . . . . 3 Total killing . . . . . . . . . . . . . . . 450 Figures will not lie, because (as was the reason with George) they cannot. And figures prove to us, that, in the time consumed by five symphonic numbers, the startling number of four hundred and fifty hogs could be (and are daily) slaughtered, scraped, disembowell
PREV.   NEXT  
|<   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   >>  



Top keywords:

number

 
condensed
 
concert
 

people

 

EXHIBIT

 

symphonies

 

minutes

 

Thomas

 
Gericke
 

demand


literature
 
minute
 

numbers

 

Beethoven

 

requirement

 

symphony

 

managers

 
enterprising
 

intelligent

 

hundred


startling

 
highest
 
demands
 

community

 

EPITOMIZED

 

prepare

 
announce
 

SYMPHONIES

 

slaughtered

 

disembowell


scraped

 

MASTERS

 

Chicago

 

PEOPLE

 

pieces

 

Minutes

 

Figures

 

SYMPHONY

 
slaughtering
 

capacity


killing

 

reason

 

subject

 
concertizing
 
consumed
 
Blanket
 

symphonic

 

figures

 

George

 

figure