FREE BOOKS

Author's List




PREV.   NEXT  
|<   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37  
38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   >>   >|  
ting and more valuable than a study of the causes that produced and modified these successive ideals. Thus in the moral type of pagan antiquity the civic virtues occupied incomparably the foremost place. The idea of a supremely good man was essentially that of a man of action, of a man whose whole life was devoted to the service of his country. The life and death of Cato were for generations the favourite model. He was deemed, in the words of an old Latin historian, to be of all men the one 'most like to virtue.' This pattern retained its force till the softening influence of the Greek spirit, permeating Roman life, made the stoical ideal seem too hard and unsympathising; till the corruption and despotism of the Empire had withdrawn the best men from political life and attached a certain taint or stigma to public employment; till new religions arose in the East, bringing with them new ideals to govern the world. Gradually we may trace the contemplative virtues rising to the foremost place until, about the fifth century, the ideal had totally changed. The heroic type was replaced by the saintly type. The supremely good man was now the ascetic. The first condition of sanctity was a complete abandonment of secular duties and cares and a complete subjugation of the body. A vast literature of legends arose reflecting and glorifying the prevailing ideal and holding up the hermit life as the supreme pattern of perfection, and this literature occupies a place in mediaevalism very similar to that held by the 'Lives' of Plutarch in antiquity. Ancient art was essentially the glorification of the body, a representation of the full strength and beauty of developed manhood. The saint of the mediaeval mosaic represents the body in its extreme maceration and humiliation. The rhetorician, Dio Chrysostom, in a somewhat whimsical passage, which was suggested by a remark of Plato, found a special moral significance in the fact that Homer, though he places his heroes on the the banks of what he calls 'the fishy Hellespont,' never makes them eat fish, but always flesh and the flesh of oxen, for this, as he says, is 'strength-producing food' and is therefore suited for the formation of heroes and the proper diet for men of virtue. Compare this judgment with the protracted, and indeed incredible, fasts which the monkish writers delighted in attributing to the saints of the desert, and we have a vivid picture of the change that had passed over
PREV.   NEXT  
|<   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37  
38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   >>   >|  



Top keywords:

pattern

 

heroes

 

literature

 

virtue

 

strength

 
complete
 

essentially

 

foremost

 

antiquity

 

virtues


supremely
 

ideals

 

manhood

 

humiliation

 

developed

 

rhetorician

 

represents

 
Chrysostom
 

mediaeval

 

extreme


mosaic

 

maceration

 

Plutarch

 

hermit

 

supreme

 

perfection

 
holding
 
legends
 

reflecting

 
glorifying

prevailing

 

occupies

 

mediaevalism

 
glorification
 

representation

 

Ancient

 

similar

 

whimsical

 
beauty
 

protracted


judgment

 

incredible

 

Compare

 

suited

 

formation

 

proper

 
monkish
 
writers
 

picture

 

change