rs upon the success of these parts, but
the crowning scene was the third and last--the united terms of the
preceding ones. The effect was grand beyond description. The scene was
supposed to be the great hall of Kenilworth, hung with silken tapestry,
lit with numerous torches. The odor of choicest perfumes fell upon the
senses, while soft strains of music floated in the distance. In the
centre of the background forming this magnificent apartment was a chair
of state, with canopy in imitation of a throne, and covered with rich
drapery, on which is seated one personating Queen Elizabeth, whose smile
is resting upon the courtly form of Walter Raleigh, upon whom she is in
the act of conferring knighthood. Grouped around the throne are
characters representing the Earls of Leicester, Essex, Oxford,
Huntingdon, and a train of lords and ladies, conspicuous among whom was
the Duchess of Rutland, the favorite maid of honor in Her Majesty's
household. The character of Elizabeth was sustained by Lady Rosamond,
arrayed in queenly robes and blazing with jewels.
"She looks every inch a queen," exclaimed one of the spectators.
"The young knight's heart is in a dangerous situation," said another.
"Beware, Sir Walter," said a third; "Essex and Leicester are dangerous
rivals, especially the latter."
Kneeling with courtly grace was Lieutenant Trevelyan in the role of Sir
Walter Raleigh. The young officer had performed his part with that
graceful ease which had so won the affection of the great sovereign.
A slight shudder passed through the form of Lady Rosamond as she
remembered his sad fate. Thinking the present no time for boding
ill-starred events, she hastily turned her mind from the subject.
As the Earl of Leicester, Captain Douglas was apparelled in white. "His
shoes were of white velvet, with white silk stockings, the upper part of
white velvet lined with silver; his doublet, of cloth of silver; the
close jerkin, of white velvet embroidered with silver and seed pearls;
his girdle was of white velvet with buckles of gold. The scabbard of his
sword was of white velvet and gold; his poniard and sword belt mounted
with gold. Over he wore a loose robe of white satin with broad collar
richly embroidered in gold. Around his neck was the golden collar of the
garter, and around his knee the azure garter."[1] Truly was the costume
executed, and raised admiration warm and long sustained.
[Footnote 1: Leicester's description taken f
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