of light that trim the stars;
He sculptured every summer delight
In his halls and chambers out of sight;
Sometimes his tinkling waters slipt
Down through a frost-leaved forest-crypt, 190
Long, sparkling aisles of steel-stemmed trees
Bending to counterfeit a breeze;
Sometimes the roof no fretwork knew
But silvery mosses that downward grew;
Sometimes it was carved in sharp relief 195
With quaint arabesques of ice-fern leaf;
[Footnote 3: Note the different moods that are indicated by the two
preludes. The one is of June, the other of snow and winter. By these
preludes the poet, like an organist, strikes a key which he holds in
the subsequent parts.]
[Illustration: As Sir Launfal Made Morn Through the Darksome Gate.]
Sometimes it was simply smooth and clear
For the gladness of heaven to shine through, and here
He had caught the nodding bulrush-tops
And hung them thickly with diamond-drops, 200
That crystalled the beams of moon and sun,
And made a star of every one:
No mortal builder's most rare device[4]
Could match this winter-palace of ice;
'Twas as if every image that mirrored lay 205
In his depths serene through the summer day,[5]
Each fleeting shadow of earth and sky,
Lest the happy model should be lost,
Had been mimicked in fairy masonry
By the elfin builders of the frost. 210
Within the hall are song and laughter,
The cheeks of Christmas grow red and jolly,
And sprouting is every corbel and rafter
With lightsome green of ivy and holly;
Through the deep gulf of the chimney wide 215
Wallows the Yule-log's roaring tide
The broad flame-pennons droop and flap
And belly and tug as a flag in the wind;
Like a locust shrills the imprisoned sap,
Hunted to death in its galleries blind; 220
And swift little troops of silent sparks,
Now pausing, now scattering away as in fear,
Go threading the soot-forest's tangled darks
Like herds of startled deer.
But the wind without was eager and sharp, 225
Of Sir Launfal's gray hair it makes a harp,
And rattles and wrings
The icy strings,
Singing, in dreary monotone,
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