thoven's senior. He lived mostly in Vienna. In 1789 he
invited Mozart to accompany him to Berlin; and the King's proposal to
name the latter his capellmeister is supposed to have been suggested
by the Prince. Lichnowsky was also a pupil of Mozart's. His wife,
Princess of Thun, was famous for her beauty, her kindly disposition,
and for her skill as a musician. Beethoven had not been twelve months
in Vienna when he was offered rooms in the Prince's house. It was
there that the pianoforte sonatas Op. 2 were first played by their
author in presence of Haydn. Beethoven remained in this house until
1800. In 1799 the "Sonate Pathetique" was dedicated to the Prince, and
in the following year the latter settled on him a yearly pension of
600 florins. In the year 1806 there was a rupture between the two
friends. At the time of the battle of Jena, Beethoven was at the seat
of Prince Lichnowsky at Troppau, in Silesia, where some French
officers were quartered. The independent artist refused to play to
them, and when the Prince pressed the request, Beethoven got angry,
started the same evening for Vienna, and,--anger still burning in his
breast,--on his arrival home, he shattered a bust of his patron. The
composer's refusal to play to the French officers was grounded on his
hatred to Napoleon, who had just won the battle of Jena. Beethoven,
however, became reconciled with the Prince before the death of the
latter in 1814. It should be mentioned that Beethoven's first
published work, the three pianoforte Trios, was dedicated to Prince
Lichnowsky.
The Archduke Rudolph (1788-1831) was one of the master's warmest
friends, and one of his most devoted admirers. His uncle was Max
Franz, Elector of Cologne, to whose chapel both Beethoven and his
father had belonged. The Archduke was the son of Leopold of Tuscany
and Maria Louisa of Spain; his aunt was Marie Antoinette, and his
grandmother the famous Maria Theresa. He is supposed to have made the
acquaintance of Beethoven during the winter of 1803-4, and then to
have become his pupil. The pianoforte part of the Triple Concerto (Op.
58), commenced in 1804, and published in 1807, is said to have been
written for him.
Concerning the Countess Giulietta Guicciardi, for whom Beethoven
entertained a hopeless passion, and the Countess Theresa of Brunswick,
to whom he is said to have been secretly engaged for some years, there
is no necessity to enter into detail. Everyone has probably heard of
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