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nd in modern society, where all bodily exercises are for the most part left to the common people. It is not merely the animal force of human nature, if I may use the expression, which is observable in these masterpieces. There seems to have been a more intimate union between the physical and moral qualities among the ancients, who lived incessantly in the midst of war, and a war almost of man to man. Strength of body and generosity of soul, dignity of features and boldness of character, loftiness of stature and commanding authority, were ideas almost inseparable, before a religion, entirely intellectual, had placed the power of man in his mind. The human figure, which was also the figure of the gods, appeared symbolical; and the nervous colossus of Hercules, as well as every other ancient statue of this sort, do not convey vulgar ideas of common life; but an omnipotent and divine will, which shews itself under the emblem of a supernatural physical force. Corinne and Lord Nelville finished the day with a visit to the studio of Canova, the greatest modern sculptor. As it was late when they got there, they were shewn it by torch light; and statues improve much in their effect by being seen in this manner. The ancients appear to have been of this opinion, since they often placed them in their Thermae, where day could not enter. By the light of the flambeaux, the shadows being more full, the uniform lustre of the marble was softened, and the statues appeared as so many pale figures, possessing a more touching character of grace and life. There was, in the studio of Canova, an admirable statue destined for a tomb, which represented the genius of grief leaning upon a lion, the emblem of strength. Corinne, in contemplating the figure of grief, thought she discovered in it some resemblance to Oswald, and the artist himself was struck with it; Lord Nelville turned about to avoid this kind of notice; but he said in a low voice to his fair companion, "Corinne, I was condemned to a fate like that which is here represented, when I met with you; but you have changed my existence, and sometimes hope, and always an anxiety mixed with charm, fills that heart which was to suffer nothing but regret." Chapter iii. The masterpieces of painting were then all collected together at Rome, whose riches in this respect surpassed that of all the rest of the world. There could exist only one disputable point as to the effect produced b
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