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y. There is indeed more faith in these honest denials than in half the assents of the conformists. Just because it is not a subtle book it should not be "dangerous." It is romantic, rather; inspired, you might loosely say. The _Index Expurgatorius_ will of course list it when they learn of it; but foolishly, because while the philosophy, the cosmology, the metaphysics may be advanced (so advanced as to be called hasty and apt to run into the theological barrages), the religion, the mysticism, the "conviction of sin," the vision of the invisibles, the perception of the imponderables, are positive, vivid, sincere, passionate in phrasing and in intention. Sincere as Mr. WELLS is always sincere; sincere rather than stable, patient, learned and so forth. I rather wonder that he insists so much on his _finite_ God. The postulate hardly touches his real thesis. And I find it easier to believe that there may be some things behind "this round world" that Mr. WELLS cannot fully understand because he (the author) is finite--and busy--than accept what seems a contradiction in terms to no particular end. * * * * * The author of _Grand Chain_ (NISBET) is profoundly aware that man is not the master of his fate (though he may be the captain of his soul, which is quite a different matter), and that the claim so universally put forward, that the leopard can change his spots, is simply an excuse for criticising the superficial pigmentation of other leopards. _Dermod Randall_, Miss G.B. STERN'S hero, is certainly not the master of his fate, which is inexorably moulded by the belief of his relatives, ascendant and descendant, that he must inherit the vices of his father, a particularly pard-like specimen, and may be expected at any minute to come out in spots himself. As a matter of fact his only failings were a young heart and a sense of humour; but, as these qualities were as out of place in the _Randall_ family as a hornpipe at a funeral, _Dermod_ lives under a perpetual cloud of unmerited suspicion. How he is compressed into a life groove, of which an ineffably turgid respectability provides the chronic atmosphere, is the theme of _Grand Chain_. And because the author possesses a wonderfully delicate gift of satire and a power of character delineation that never gets out of hand, she has written a novel deserving of more praise than the usual reviewer, all too timid of superlatives, may venture to give.
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