her his attentions did not
contribute as much to the cure as the bleeding. M. de Choiseul
remarked, some days after, that she appeared in better spirits.
I told him that I thought this improvement might be attributed
to the same cause.
THE MEMOIRS OF CATHERINE DE MEDICI
BY THE ABBE BRANTOME
INTRODUCTION
The figure of Catherine de Medici is remarkable in history as being
the pivotal point for more controversy than has ever centred about
any other Queen of France. Of Italian descent, she became the wife
of one French monarch, the mother of three others, and the dominant
force behind that glittering Court which Brantome eulogises. Both
of her daughters likewise ascended thrones,--Elisabeth, became
the wife of Philip II. of Spain; while Marguerite (whose memoirs
are found elsewhere in this volume) wedded Henry of Navarre, the
life-long rival of the ambitious Queen Mother, who was destined
to become Henry IV., displacing her tottering dynasty.
Brantome's tribute to this famous Queen will be read with great
interest, but it is unnecessary to caution the reader to accept
it _cum grana salis_, for Brantome's likes and dislikes are at
all times apt to run away with his historical judgment. Says
Louis Moland in an introduction to the French edition of the
Abbe's works: "The admiration which he professes for these grand
princesses whom he has the honour of depicting so influences him
that, despite his notorious credulity on this point, he shows
them all, or nearly all, as perfectly virtuous." Nevertheless,
his portraits, though coloured with the most favourable tints,
are of great value as portraits from life. "I saw it," "I was
there," are his favourite expressions in narrating an incident.
The study of Catherine is a typical example of his work. He had
lived at her Court and received many favours at her hands. He now
sets himself the task of answering her calumniators and paying
a tribute to her memory. This spirit of chivalry is certainly
admirable, albeit the results may show as more partisan than
accurate. It is interesting to compare this with Honore de Balzac's
more extended work, "Sur Catherine de Medicis," which is designated
as a romance but is actually a careful historical portrait of
the Queen.
Catherine's whole life may be said to have combined romance with
history. She was the daughter of Lorenzo de Medici, that famous
ruler of Florence for whom Machiavelli wrote his "Prince." Having
be
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