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s, it has lasted, with its traditions, its primitive statutes, its reminiscences, its respect for the past. It has preserved its courteous and modest dignity, its habits of polite neutrality, the suavity and equality of the relations between its members. It was said just now that Richelieu's work no longer existed save in history, and that revolutions have left him nothing but his glory; but that was a mistake: the French Academy is still standing, stronger and freer than at its birth, and it was founded by Richelieu, and has never forgotten him. Amongst the earliest members of the Academy the cardinal had placed his most habitual and most intimate literary servants, Bois-Robert, Desmarets, Colletet, all writers for the theatre, employed by Richelieu in his own dramatic attempts. Theatrical representations were the only pleasure the minister enjoyed, in accord with the public of his day. He had everywhere encouraged this taste, supporting with marked favor , Hardy and the _Theatre Parisien_. With his mind constantly exercised by the wants of the government, he soon sought in the theatre a means of acting upon the masses. He had already foreseen the power of the press; he had laid hands on Doctor Renaudot's _Gazette de France;_ King Louis XIII. often wrote articles in it; the manuscript exists in the National Library, with some corrections which appear to be Richelieu's. As for the theatre, the cardinal aspired to try his own hand at the work; his literary labors were nearly all political pieces; his tragedy of _Mirame,_ to which he attached so much value, and which he had represented at such great expense for the opening of his theatre in the Palais-Cardinal, is nothing but one continual allusion, often bold even to insolence, to Buckingham's feelings towards Anne of Austria. The comedy, in heroic style, of Europe, which appeared in the name of _Desmarets,_ after the cardinal's death, is a political allegory touching the condition of the world. Francion and Ibere contend together for the favors of Europe, not without, at the same time, paying court to the Princess Austrasia (Lorraine). All the cardinal's foreign policy, his alliances with Protestants, are there described in verses which do not lack a certain force: Germanique (the emperor) pleads the cause of Ibere with Europe:-- "No longer can he brook to gaze on such as these, Destroyers of the shrines, foes of the Deities, B
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