ressions of
the earth and sky. They eternalised themselves in memory. They became
her memory.

The days were carved for her in the lines of the hills and painted
for her in their colors; days that were dim green and gray, when
the dreaming land was withdrawn under a veil so fine that it had the
transparency of water, or when the stone walls, the humble houses and
the high ramparts, drenched with mist and with secret sunlight, became
insubstantial; days when all the hills were hewn out of one opal; days
that had the form of Karva under snow, and the thin blues and violets
of the snow. She remembered purely, without thinking, "It was in April
that I went away from Steven," or, "It was in November that he married
Mary," or "It was in February that we knew about Ally, and Father had
his stroke."

Her nature was sound and sane; it refused to brood over suffering. She
was not like Alice and in her unlikeness she lacked some of Alice's
resources. She couldn't fling herself on to a Polonaise of a Sonata
any more than she could lie on a couch all day and look at her own
white hands and dream. Her passion found no outlet in creating violent
and voluptuous sounds. It was passive, rather, and attentive. Cut
off from all contacts of the flesh, it turned to the distant and the
undreamed. Its very senses became infinitely subtle; they discerned
the hidden soul of the land that had entranced her.

There were no words for this experience. She had no sense of self
in it and needed none. It seemed to her that she _was_ what she
contemplated, as if all her senses were fused together in the sense of
seeing and what her eyes saw they heard and touched and felt.

But when she came to and saw herself seeing, she said, "At least this
is mine. Nobody, not even Steven, can take it away from me."

* * * * *

She also reminded herself that she had Alice.

She meant Alice Greatorex. Alice Cartaret, oppressed by her own
"awfulness," had loved her with a sullen selfish love, the love of
a frustrated and unhappy child. But there was no awfulness in Alice
Greatorex. In the fine sanity of happiness she showed herself as good
as gold.

Marriage, that had made Mary hard, made Alice tender. Mary was wrapped
up in her husband and her house, and in her social relations and young
Grierson's Platonic passion, so tightly wrapped that these things
formed round her an impenetrable shell. They hid a secret and
inaccessible