gh of elder, the leaves on which
have turned black, while still on its living branches they are green, and
then a clump of beeches. The trunks are full of knot-holes, after a dead
bough has fallen off and the stump has rotted away, the bark curls over
the orifice and seemingly heals the wound more smoothly and completely
than with other trees. But the mischief is proceeding all the same,
despite that flattering appearance; outwardly the bark looks smooth and
healthy, but probe the hole and the rottenness is working inwards. A
sudden gap in the clump attracts the glance, and there--with one great
beech trunk on this side and another on that--is a view opening down on
the distant valley far below. The wood beneath looks dwarfed, and the
uneven tops of the trees, some green, some tinted, are apparently so close
together as to hide aught else, and the shadows of the clouds move over it
as over a sea. A haze upon the horizon brings plain and sky together
there; on one side, in the far distance a huge block, a rude vastness
stands out dusky and dimly defined--it is a spur of the rolling hills.
Out in the plain, many a mile away, the sharp, needle-like point of a
steeple rises white above the trees, which there shade and mingle into a
dark mass--so brilliantly white as to seem hardly real. Sweeping the view
round, there is a strange and total absence of houses or signs of
habitation, other than the steeple, and now that, too, is gone. It has
utterly vanished--where, but a few moments before it glowed with
whiteness, is absolutely nothing. The disappearance is almost weird in the
broad daylight, as if solid stone could sink into the earth. Searching for
it suddenly a village appears some way on the right--the white walls stand
out bright and clear, one of the houses is evidently of large size, and
placed on a slight elevation is a prominent object. But as we look it
fades, grows blurred and indistinct, and in another moment is gone. The
whole village has vanished--in its place is nothing; so swift is the
change that the mind scarcely credits the senses.
A deep shadow creeping towards us explains it. Where the sunlight falls,
there steeple or house glows and shines; when it has passed, the haze that
is really there, though itself invisible, instantly blots out the picture.
The thing may be seen over and over again in the course of a few minutes;
it would be difficult for an artist to catch so fleeting an effect. The
shadow of
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