g
and has to be re-arranged, and at length 'Tenty goes back to her place
by the window quite indisposed to sing, but glowing with a new, shy
pleasure, for Ned had looked up at her with those great gray eyes that
said so much more than his lips did, and laid his cheek against the
stubbed hand that arranged his pillows, and said,--"Oh, 'Tenty! how good
you are!" in tones that meant, "and how I love you!" as well, though he
did not say it.

So matters progressed from day to day, Ned needing more and more care,
till he made his first progress across the room with a cane and the
help of 'Tenty's shoulder; after which experiment he began to recover
rapidly, impelled by the prospect of getting away from that house and
being free to go where he chose again.

For 'Tenty had ceased to amuse or interest him as much as she had done;
six weeks had done away with the novelty of her deepening color and shy
dropping eyes; beside, she laughed less, almost ceased to sing, sighed
softly, and looked quiet and grave, instead of gay and unconscious.
It was the old fable of sport to the boys and death to the frogs. She
thought he was in earnest; he knew he was amusing himself.

Miss 'Viny noticed the change in her darling, but she was a woman who
had acquired wisdom by experience, and she said nothing; she only grew
more exacting of 'Tenty's presence, wanted her earlier in the evening,
found fault with her food, and behaved generally so unlike her usual
stern patience, that Content was really roused out of her dreaminess to
wonder what ailed Aunt 'Viny.

As soon as Ned Parker was able to get out of doors again, he was heard
of in every house in the village, making himself agreeable after his
own fashion,--drinking hard cider with the old farmers, praising their
wives' gingerbread and spruce-beer, holding skeins for the girls, going
on picnics, huckleberryings, fishing-excursions, apple-bees, riding Old
Boker, his father's horse, bare-backed down the street, playing ball
on the green, and frequenting singing-school with one pretty girl and
another, till all Deerfield shook its head and remarked that "That 'ere
Ned Parker was a master-hand for carryin' on." And 'Tenty sewed harder
than ever.

What makes me always put love into a story, Aunt Grundy? Why, because
love is popular; because nine-tenths of the people who read smile to see
the first and faintest hint of the tender passion in what they read;
because a story without love is like b