completed at last.

I don't pretend to say that this is the entire Teutonic psychology; but
it is indubitably the psychology of a Teuton. My object in mentioning
him here is to bring out the fact that, far from being the incarnation
of recent animosities, he is the creature of my old deep-seated, and, as
it were, impartial conviction.

J. C.

AUTHOR'S NOTE

On approaching the task of writing this Note for Victory, the first
thing I am conscious of is the actual nearness of the book, its nearness
to me personally, to the vanished mood in which it was written, and to
the mixed feelings aroused by the critical notices the book obtained
when first published almost exactly a year after the beginning of the
war. The writing of it was finished in 1914 long before the murder of an
Austrian Archduke sounded the first note of warning for a world already
full of doubts and fears.

The contemporaneous very short Author's Note which is preserved in this
edition bears sufficient witness to the feelings with which I consented
to the publication of the book. The fact of the book having been
published in the United States early in the year made it difficult
to delay its appearance in England any longer. It came out in the
thirteenth month of the war, and my conscience was troubled by the awful
incongruity of throwing this bit of imagined drama into the welter
of reality, tragic enough in all conscience, but even more cruel than
tragic and more inspiring than cruel. It seemed awfully presumptuous to
think there would be eyes to spare for those pages in a community which
in the crash of the big guns and in the din of brave words expressing
the truth of an indomitable faith could not but feel the edge of a sharp
knife at its throat.

The unchanging Man of history is wonderfully adaptable both by his power
of endurance and in his capacity for detachment. The fact seems to
be that the play of his destiny is too great for his fears and too
mysterious for his understanding. Were the trump of the Last Judgement
to sound suddenly on a working day the musician at his piano would go on
with his performance of Beethoven's sonata and the cobbler at his
stall stick to his last in undisturbed confidence in the virtues of the
leather. And with perfect propriety. For what are we to let ourselves be
disturbed by an angel's vengeful music too mighty for our ears and too
awful for our terrors? Thus it happens to us to be struck suddenly
by th