The kitchen was hideous with a
confusion of souring bottles of milk, dirty dishes, hardened ends of
loaves, and a sticky jam jar or two; Emeline's range was spotted and
rusty, she never fired it now; a three-burner gas plate sufficed for the
family's needs. In the bedroom a dozen garments were flung over the foot
of the unmade bed, Julia's toys and clothing littered this and the
sitting-room, the silk woof had been worn away on the heavily
upholstered furniture, and the strands of the cotton warp separated to
show the white lining beneath. On the mantel was a litter of medicine
bottles and theatre programs, powder boxes, gloves and slippers,
packages of gum and of cigarettes, and packs of cards, as well as more
ornamental matters: china statuettes and glass cologne bottles, a
palm-leaf fan with roses painted on it, a pincushion of redwood bark,
and a plush rolling-pin with brass screws in it, hung by satin ribbons.
Over all lay a thick coat of dust.

Emeline took Julia in her lap, and sat down in one of the patent
rockers. She remained for a long time staring out of the front window.
George's words burned angrily in her memory--she felt sick of life.

A spring twilight was closing down upon O'Farrell Street. In the row of
houses opposite Emeline could see slits of gaslight behind lowered
shades, and could look straight into the second floor of the
establishment that flourished behind a large sign bearing the words,
"O'Connor, Modes." This row of bay-windowed houses had been occupied as
homes by very good families when the Pages first came to O'Farrell
Street, but six years had seen great changes in the block. A grocery and
bar now occupied the corner, facing the saloon above which the Pages
lived, and the respectable middle-class families had moved away, one by
one, giving place to all sorts of business enterprises. Milliners and
dressmakers took the first floors, and rented the upper rooms; one
window said "Mme. Claire, Palmist," and another "Violin Lessons"; one
basement was occupied by a dealer in plaster statuary, and another by a
little restaurant. Most interesting of all to the stageloving Emeline
was the second floor, obliquely opposite her own, which bore an immense
sign, "Gottoli, Wigs and Theatrical Supplies. Costumes of all sorts
Designed and on Hand." Between Gottoli's windows were two painted panels
representing respectively a very angular, moustached young man in a
dress suit, and a girl in a Spanish dan