tice, put her hand on
Roderigo's shoulder, and was about to leap gracefully down when "Alas!
Alas for Zara!" she forgot her train. It caught in the window, the
tower tottered, leaned forward, fell with a crash, and buried the
unhappy lovers in the ruins.
A universal shriek arose as the russet boots waved wildly from the
wreck and a golden head emerged, exclaiming, "I told you so! I told
you so!" With wonderful presence of mind, Don Pedro, the cruel sire,
rushed in, dragged out his daughter, with a hasty aside...
"Don't laugh! Act as if it was all right!" and, ordering Roderigo up,
banished him from the kingdom with wrath and scorn. Though decidedly
shaken by the fall from the tower upon him, Roderigo defied the old
gentleman and refused to stir. This dauntless example fired Zara. She
also defied her sire, and he ordered them both to the deepest dungeons
of the castle. A stout little retainer came in with chains and led
them away, looking very much frightened and evidently forgetting the
speech he ought to have made.
Act third was the castle hall, and here Hagar appeared, having come to
free the lovers and finish Hugo. She hears him coming and hides, sees
him put the potions into two cups of wine and bid the timid little
servant, "Bear them to the captives in their cells, and tell them I
shall come anon." The servant takes Hugo aside to tell him something,
and Hagar changes the cups for two others which are harmless.
Ferdinando, the 'minion', carries them away, and Hagar puts back the
cup which holds the poison meant for Roderigo. Hugo, getting thirsty
after a long warble, drinks it, loses his wits, and after a good deal
of clutching and stamping, falls flat and dies, while Hagar informs him
what she has done in a song of exquisite power and melody.
This was a truly thrilling scene, though some persons might have
thought that the sudden tumbling down of a quantity of long red hair
rather marred the effect of the villain's death. He was called before
the curtain, and with great propriety appeared, leading Hagar, whose
singing was considered more wonderful than all the rest of the
performance put together.
Act fourth displayed the despairing Roderigo on the point of stabbing
himself because he has been told that Zara has deserted him. Just as
the dagger is at his heart, a lovely song is sung under his window,
informing him that Zara is true but in danger, and he can save her if
he will. A key is throw
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