et!
But, I say, Lois-- I call yah Lois because you're my cousin now, yah
know--you were backing the wrong man aftah all, as I told yah. For if
you'd backed _me_, all this wouldn't have come out; you'd have got the
tin and been a countess as well, aftah the governah's dead and gone,
don't yah see. You'd have landed the double event. So you'd have pulled
off a bettah thing for yourself in the end, as I said, if you'd laid
your bottom dollah on me for winnah!'
Higginson is now doing fourteen years at Portland; Harold and I are
happy in the sweetest place in Gloucestershire; and Lord Southminster,
blissfully unaware of the contempt with which the rest of the world
regards him, is shooting big game among his 'boys' in South Africa.
Indeed, he bears so little malice that he sent us a present of a trophy
of horns for our hall last winter.
THE END
THE WINCHESTER EDITION OF THE NOVELS OF JANE AUSTEN
10 Vols. Demy 8vo, Cloth, 5s. net each Vol.
The perfection of the edition rests entirely on the efforts of
printer, paper-maker, and binder, Messrs. T. and A. CONSTABLE of
Edinburgh being responsible for the typography, while Mr. LAURENCE
HOUSMAN has designed the cover.
* * * * *
_SPECTATOR_.--'The Winchester Edition has special claims to gratitude
through the delightful quality of its print and paper. The print is of a
generous design, and very black and clear, and the paper, while
untransparent, not so heavy but that the book can be held comfortably in
one hand. Altogether this promises to be one of the most delightful
reprints ever given to the public.'
_ATHENAEUM_.--'An exceedingly handsome edition.... This is decidedly a
cheap edition as well as an ornamental one.'
_WESTMINSTER GAZETTE_.--'Mr. Grant Richards is to be congratulated on
the charming edition of Miss Austen's Novels, which starts with _Sense
and Sensibility_ in two volumes. Print, paper, and binding (green and
gold, with a charming design) are all that the most fastidious could
desire. An edition of this kind is really wanted, and comes at a moment
when there is a natural inclination to turn back to the pages of this
delightful writer. The younger generation is supposed not to read Miss
Austen, which, if true, is hardly creditable to its education and good
taste. But latterly there have been signs of a re-discovery, which will
be stimulated by the issue of these beautiful volumes.'
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