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r could have arrived at such a conclusion. The unlearned eye has gathered no rudimental points to begin with. Not having what are the normal outlines to which the finest proportions tend, an eye so untutored cannot of course judge in what degree the given subject approaches to these. 7.--THE RANSOM FOR WATERLOO. The following gives a variation on a famous passage in the 'Dream Fugue,' and it may be interesting to the reader to compare it with that which the author printed. From these variations it will be seen that De Quincey often wrote and re-wrote his finest passages, and sometimes, no doubt, found it hard to choose between the readings: Thus as we ran like torrents; thus as with bridal rapture our flying equipage swept over the _campo santo_ of the graves; thus as our burning wheels carried warrior instincts, kindled earthly passions amongst the trembling dust below us, suddenly we became aware of a vast necropolis to which from afar we were hurrying. In a moment our maddening wheels were nearing it. 'Of purple granite in massive piles was this city of the dead, and yet for one moment it lay like a visionary purple stain on the horizon, so mighty was the distance. In the second moment this purple city trembled through many changes, and grew as by fiery pulsations, so mighty was the pace. In the third moment already with our dreadful gallop we were entering its suburbs. Systems of sarcophagi rose with crests aerial of terraces and turrets into the upper glooms, strode forward with haughty encroachment upon the central aisle, ran back with mighty shadows into answering recesses. When the sarcophagi wheeled, then did our horses wheel. Like rivers in horned floods wheeling in pomp of unfathomable waters round headlands; like hurricanes that ride into the secrets of forests, faster than ever light travels through the wilderness of darkness, we shot the angles, we fled round the curves of the labyrinthine city. With the storm of our horses' feet, and of our burning wheels, did we carry earthly passions, kindle warrior instincts amongst the silent dust around us, dust of our noble fathers that had slept in God since Creci. Every sarcophagus showed many bas-reliefs, bas-reliefs of battles, bas-reliefs of battlefields, battles from forgotten ages, battles from yesterday; battlefields that long since Nature had healed and reconciled to herself with the sweet oblivion of flowers; battlefields that were yet angry an
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