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The Project Gutenberg EBook of The Mirror of Taste, and Dramatic Censor, by Stephen Cullen Carpenter This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Mirror of Taste, and Dramatic Censor Volume I, Number 1 Author: Stephen Cullen Carpenter Release Date: September 2, 2007 [EBook #22488] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE MIRROR OF TASTE *** Produced by Louise Hope, Barbara Tozier, Bill Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net [Transcriber's Note: Typographical errors are listed at the end of the text. No attempt was made to regularize the use of quotation marks. The printed book contained the six Numbers of Volume I with their appended plays. The Index originally appeared at the beginning of the volume; it has been relocated to the end of the journal text, before the play. Pages 1-108 refer to the present Number.] THE MIRROR OF TASTE, AND DRAMATIC CENSOR. Neque mala vel bona quae vulgus putet. --_Tacitus._ PROSPECTUS. The advantages of a correct judgment and refined taste in all matters connected with literature, are much greater than men in general imagine. The hateful passions have no greater enemies than a delicate taste and a discerning judgment, which give the possessor an interest in the virtues and perfections of others, and prompt him to admire, to cherish, and make them known to the world. Criticism, the parent of these qualities, therefore, mends the heart, while it improves the understanding. The influence of critical knowledge is felt in every department of social life, as it supplies elegant subjects for conversation, and enlarges the scope, and extends the duration of intellectual enjoyment. Without it, the pleasures we derive from the fine arts would be transient and imperfect; and poetry, painting, music, and that admirable epitome of life, the stage, would afford nothing more than a fugitive, useless, pastime, if not aided by the interposition of the judgment, and sent home, by the delightful process of criticism, to the memory, there to exercise the mind to the last of life, to be the amusement of our declinin
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