FREE BOOKS

Author's List




PREV.   NEXT  
|<   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   >>  
and who suited his taste in his most choice dishes. The two had a serious quarrel, which ended in cooky giving her master notice of leaving his service. Mr. Banks took this somewhat to heart as he thought if he parted with his cook--and such a cook as she was--he might not be able to replace her. To put it out of her power to give him notice again, he offered her marriage, and was accepted. Mrs. Banks sometimes used to visit the theatre, and generally took her seat at the wing by the prompter's table, where she could see tolerably well what was going forward on the stage. On one occasion the tragedy of "Venice Preserved" was being performed. Edmund Kean was _Jaffier_ and Miss O'Neil _Belvidera_. They were playing to a greatly excited house, as may well be supposed when two such artists were upon the stage. Mr. St. A---, who was then ballet-master at the theatre, and who, by the way, was a most graceful dancer, seeing Mrs. Banks, went up to her to exchange compliments. Having done so, Mr. St. A--- remarked how seldom they had the pleasure of seeing Mrs. Banks. "Oh," replied she, "I never come to the theatre--not I. There's no good actors now-a-days--there ain't anybody worth seeing." "Dear me, Mrs, B., how can you say so? Who have we on the stage now? There's Mr. Kean"--"Mr. Kean, indeed," exclaimed Mrs. B., "I can't abide him; he's my abortion." "Well, then, what do you think of Miss O'Neil?" "Miss O'Neil!--Miss O'Neil, indeed; do you call her a hactress?--I can't abide her. There she is--see how she lolls and lollups on the fellows--it's quite disgusting!" Now the fact was that Miss O'Neil who was chastity itself off the stage, and who lead a most blameless life, showed, when performing, such _abandon_ and _impressment_ in her actions as to be quite remarkable, especially in parts where the intensity of passion had to be displayed, and this Mrs. Banks "couldn't abide." "Well, then," continued Mr. St. A---, "who do you call a good actor?" "Who do I call a good actor! you wait till my dear John Emery comes down, and then you'll see a good actor; and if I live as long, I'll make him such a pudding, please God, as he hasn't had this many a day!" Old Mrs. Banks was about right as to John Emery; he was an actor of the first-class, and has never been replaced in his peculiar line. I have seen Emery play _Tyke_ in the "School of Reform." It was a wonderful impersonation. I have seen nothing like it since.
PREV.   NEXT  
|<   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   >>  



Top keywords:

theatre

 

notice

 

master

 
chastity
 

blameless

 

disgusting

 

abortion

 

hactress

 
exclaimed
 

lollups


fellows

 
displayed
 

pudding

 
replaced
 

peculiar

 

Reform

 

School

 
remarkable
 

intensity

 

actions


impressment

 
impersonation
 

performing

 

abandon

 

passion

 

couldn

 
wonderful
 

continued

 
showed
 

dancer


offered

 

marriage

 

accepted

 

tolerably

 
forward
 
prompter
 
generally
 

replace

 

quarrel

 

dishes


suited

 

choice

 
giving
 

parted

 

thought

 

leaving

 
service
 

Having

 

remarked

 

seldom