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n early recollections are much more closely associated. My mother was a daughter of the Ven. Archdeacon Froude, and sister of three distinguished brothers--Hurrell Froude, prominent as a leader of the Tractarian movement, Antony Froude the historian, and William Froude, who, though his name is less generally known, exercised, as will be shown presently, an influence on public affairs greater than that of many cabinet ministers. The Archdeacon of Totnes, their father, was a Churchman of a type now extinct as the dodo. Born in the early part of the reign of George III, and inheriting a considerable fortune, he was in his youth addicted to pursuits a proficiency in which is now regarded by no one as absolutely essential to a fitness for Holy Orders. He was famous for his horses, and also for his feats of horsemanship, one of these being the jumping of a five-barred gate without losing either of two guinea pieces which were placed at starting between his knees and the saddle. To the accomplishments of an equestrian he added those of a dilettante. He was an architect, a collector of pictures, a herald and archaeologist, and also (as Ruskin declared, to whom some of his drawings were exhibited) an artist whose genius was all but that of a master. Like other young men of fortune, he made what was then called the "grand tour of Europe," his sketchbooks showing that he traveled as far as Corfu, and subsequently, when he settled for life as the vicar of Dartington parish, he was regarded as one of the most enlightened country gentlemen of the district, active in improving the roads, which, till his time, were abominable, and in bringing poachers to punishment if not to repentance. Within a short walk of the parsonage, over the brow of a wooded hill, is another house, which in the scenery of my childhood was an object no less familiar--Dartington Hall, the home of the Champernowne family, with which, by marriage and otherwise, my father's was very closely connected. Yet another house--it has been mentioned already as associated with my childhood also--is Denbury Manor, with its stucco chimneys and pinnacles, its distance from Dartington being something like eight miles. These four houses--Denbury Manor, Dartington Parsonage, Dartington Hall, and Cockington Court--all lying within a circle of some twelve miles in diameter, represent, together with their adjuncts, the material aspects of the life with which I was first familiar.
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