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face, hear the anxious voice of Freddie Rooke--then fourteen and for the first time the owner of a camera--imploring her to stand just like that because he wouldn't be half a minute only some rotten thing had stuck or something. Then the sharp click, the doubtful assurance of Freddie that he thought it was all right if he hadn't forgotten to shift the film (in which case she might expect to appear in combination with a cow which he had snapped on his way to the house), and the relieved disappearance of Pat, the terrier, who didn't understand photography. How many years ago had that been? She could not remember. But Freddie had grown to long-legged manhood, she to an age of discretion and full-length frocks, Pat had died, the old house was inhabited by strangers ... and here was the silent record of that sun-lit afternoon, three thousand miles away from the English garden in which it had come into existence. The shadows deepened. The top of the great building swayed gently, causing the pendulum of the grandfather-clock to knock against the sides of its wooden case. Jill started. The noise, coming after the dead silence, frightened her till she realized what it was. She had a nervous feeling of not being alone. It was as if the shadows held goblins that peered out at the intruder. She darted to the mantelpiece and replaced the photograph. She felt like some heroine of a fairy-story meddling with the contents of the giant's castle. Soon there would come the sound of a great footstep thud--thud.... _Thud._ Jill's heart gave another leap. She was perfectly sure she had heard a sound. It had been just like the banging of a door. She braced herself, listening, every muscle tense. And then, cleaving the stillness, came a voice from down the passage-- "Just see them Pullman porters, Dolled up with scented waters Bought with their dimes and quarters! See, here they come! Here they come!" For an instant Jill could not have said whether she was relieved or more frightened than ever. True, that numbing sense of the uncanny had ceased to grip her, for Reason told her that spectres do not sing rag-time songs. On the other hand, owners of apartments do, and she would almost as readily have faced a spectre as the owner of this apartment. Dizzily, she wondered how in the world she was to explain her presence. Suppose he turned out to be some awful-choleric person who would listen to no explanations. "
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