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on a low, gate-legged table of fibrous, time-blackened oak, together with an orderly array of periodicals--the white, typographical page of the _Saturday Review_ under the dull rose of _The Living Age_ and chocolate-coloured bulk of the _Unpopular, Gil Blas_, the mid-week _Boston Transcript_ and yesterday's _New York Evening Post_. The table bore, in addition, a green morocco case of dominoes; a mahogany box that, in a recess, mysteriously maintained a visible cigarette; a study of Beethoven, in French; an outspread volume by Anatole France, _Jacques Tournebroche_, in a handsome paper cover; a set of copper ash trays; and a dull red figurine, holding within its few inches the deathless spirit of a heroic age. An angle of the wall before him was filled by a white panelled fireplace, the mantel close against the ceiling; and on the other side of a doorway, through which he could see Rudolph noiselessly preparing the dinner table, was a swan-like sofa, in olive wood and pale yellow satin, from the Venice of the _ottocento_. At his right, beyond a window, mounted a tall, austere secretary in waxed walnut; and behind him, under the white chair rail, bookcases extended across the width of the room. Gustavus Hesselius' portrait of the first Howat Penny hung on a yellow painted wall, his gilt-braided major's facings still vivid, his dark, perceptible scorn undimmed. There were, too, framed in oak, a large photograph of Tamagno, as Othello, with a scrawled, cordial message; another of a graceful woman in the Page's costume of _Les Huguenots_, signed "Sempre ... Scalchi"; a water colour drawing by Jan Beers; and a Victorian lithograph in powdery foliage and brick of _The Penny Rolling Mills. Jaffa_. A black-blue rug, from Myrtle Forge, partly covered the broad, oak boards of the floor; and there was a comfortable variety of chairs--sturdy, painted Dutch, winged Windsors and a slatted Hunterstown rocker. Howat Penny's gaze wandered over the familiar furnishing, come to him surviving the generations of his family, or carefully procured for his individual dictates. A sense of tranquillity, of haven, deepened about him. "Rudolph," he inquired, "has Honduras gone for Miss Jannan?" The man stopped in the doorway, answering in the affirmative. He was slight, almost fragile, with close, dark hair that stood up across his forehead, and dry, high-coloured cheeks. Rudolph hesitated, with a handful of silver; and then returned to his tas
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