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The Project Gutenberg eBook, In Old Kentucky, by Edward Marshall and Charles T. Dazey, Illustrated by Clarence Rowe This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: In Old Kentucky Author: Edward Marshall and Charles T. Dazey Release Date: November 3, 2004 [eBook #13933] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK IN OLD KENTUCKY*** E-text prepared by Audrey Longhurst, Gene Smethers, and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 13933-h.htm or 13933-h.zip: (http://www.gutenberg.net/dirs/1/3/9/3/13933/13933-h/13933-h.htm) or (http://www.gutenberg.net/dirs/1/3/9/3/13933/13933-h.zip) IN OLD KENTUCKY A Story of the Bluegrass and the Mountains Founded on Charles T. Dazey's Play by EDWARD MARSHALL and CHARLES T. DAZEY Illustrations By CLARENCE ROWE 1910 [Illustration: SHE SAW THE STRANGER BREAK THROUGH THE UNDERGROWTH ABOUT THE POOL.] ILLUSTRATIONS. She saw the stranger break through the undergrowth about the pool. (Frontispiece) A mighty leap had carried them beyond the blazing barrier. "No man can cross this bridge, unless--unless--" "Back! back! I'm a-comin' with Queen Bess!" "I'm standin' face to face with my own father's murderer--Lem Lindsay." CHAPTER I. She was coming, singing, down the side of Nebo Mountain--"Old Nebo"--mounted on an ox. Sun-kissed and rich her coloring; her flowing hair was like spun light; her arms, bare to the elbows and above, might have been the models to drive a sculptor to despair, as their muscles played like pulsing liquid beneath the tinted, velvet skin of wrists and forearms; her short skirt bared her shapely legs above the ankles half-way to the knees; her feet, never pinched by shoes and now quite bare, slender, graceful, patrician in their modelling, in strong contrast to the linsey-woolsey of her gown and rough surroundings, were as dainty as a dancing girl's in ancient Athens. The ox, less stolid than is common with his kind, doubtless because of ease of li
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