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g frenzy was the sublimest frenzy that ever shook a theatre. The piece was stopped dead for three minutes while the audience and Eliza protested a mutual and unique passion. From this point onwards Mr. Prohack lost his head. He ran to and fro in the bewildering glittering maze of the piece, seeking for an explanation, for a sign-post, for a clue, for the slightest hint, and found nothing. He had no alternative but to cling to Eliza Fiddle, and he clung to her desperately. She was willing to be clung to. She gave herself, not only to Mr. Prohack, but to every member of the audience separately; she gave herself in the completeness of all her manifestations. The audience was rich in the possession of the whole of her individuality, which was a great deal. She sang, danced, chattered, froze, melted, laughed, cried, flirted, kissed, kicked, cursed, and turned somersaults with the fury of a dervish, the languor of an odalisque, and the inexhaustibility of a hot-spring geyser.... And at length Mr. Prohack grew aware of a feeling within himself that was at war with the fresh, fine feeling of physical well-being. "I have never seen a revue before," he said in secret. "Is it possible that I am bored?" III "Would you care to go behind and be introduced to Miss Fiddle?" Ozzie suggested at the interval after the curtain had been raised seventeen times in response to frantic shoutings, cheerings, thumpings and clappings, and the mighty tumult of exhilaration had subsided into a happy buzz that arose from all the seats in the entire orange-tinted brilliant auditorium. The ladies would not go; the ladies feared, they said, to impose their company upon Miss Fiddle in the tremendous strain of her activities. They spoke primly and decisively. It was true that they feared; but their fear was based on consideration for themselves rather than on consideration for Miss Fiddle. Ozzie was plainly snubbed. He had offered a wonderful privilege, and it had been disdained. Mr. Prohack could not bear the spectacle of Ozzie's discomfiture. His sad weakness for pleasing people overcame him, and, putting his hand benevolently on the young man's shoulder, he said: "My dear fellow, personally I'm dying to go." They went by strangely narrow corridors and through iron doors across the stage, whose shirt-sleeved, ragged population seemed to be behaving as though the last trump had sounded, and so upstairs and along a broad passage full of
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