n, but it illustrates that hold on
reality, that truth to fact, which was one of the sources of the force
and simplicity of Mr. Webster's mature style. He, however, only obtained
these good qualities of rhetoric by long struggles with constant
temptations, in his early life, to use resounding expressions and
flaring images which he had not earned the right to use. His Fourth of
July oration at Hanover, when he was only eighteen, and his college
addresses, must have been very bad in their diction if we can judge of
them by the style of his private correspondence at the time. The verses
he incorporates in his letters are deformed by all the faults of false
thinking and borrowed expression which characterized contemporary
American imitators of English imitators of Pope and Gray. Think of the
future orator, lawyer, and senator writing, even at the age of twenty,
such balderdash as this!
"And Heaven grant me, whatever luck betide,
Be fame or fortune given or denied,
Some cordial friend to meet my warm desire,
Honest as John and good as Nehemiah."
In reading such couplets we are reminded of the noted local poet of New
Hampshire (or was it Maine?) who wrote "The Shepherd's Songs," and some
of whose rustic lines still linger in the memory to be laughed at, such,
for instance, as these:--
"This child who perished in the fire,--
His father's name was Nehemiah."
Or these:--
"Napoleon, that great ex_ile_,
Who scoured all Europe like a file."
And Webster's prose was then almost as bad as his verse, though it was
modelled on what was considered fine writing at the opening of the
present century. He writes to his dearest student friends in a style
which is profoundly insincere, though the thoughts are often good, and
the fact of his love for his friends cannot be doubted. He had committed
to memory Fisher Ames's noble speech on the British Treaty, and had
probably read some of Burke's great pamphlets on the French Revolution.
The stripling statesman aimed to talk in their high tone and in their
richly ornamented language, before he had earned the right even to mimic
their style of expression. There is a certain swell in some of his long
sentences, and a kind of good sense in some of his short ones, which
suggest that the writer is a youth endowed with elevation as well as
strength of nature, and is only making a fool of himself because he
thinks he must make a fool of himself in order tha
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