of the fun
consists in seeing him fall in love with the younger in terms of pure
reason, and finally, when the motherly young countess has quietly got
him a professorship at Konigsberg, present to his delighted Elise his
"categorical imperative."

You can imagine that thoroughly German mixture of sentiment and
philosophy, the quaint references to a Prussia not yet, in its present
sense, begun to exist; how to that audience--nearly every one of whom
had a son or husband or brother at the front--the century suddenly
seemed to close up and the Napoleonic days became part of their own
"grosse Zeit." You can imagine the young schoolmaster and the frivolous
older man going off to war, and the two women consoling each other, and
with what strange eloquence the words of that girl of 1815, watching
them from the window, come down across the years:

"Why is it that from time to time men must go and kill each other?
There it stands in the paper--two thousand more men--it writes itself so
easily! But that every one of them has a wife or mother or sister or a--
... And when they cry their eyes out that means that it is a victory,
and when some brave young fellow has fallen, he is only one of the
'forces'--so and so many men--and nobody even knows his name..."

You must imagine them coming back from the war, and pale, benign,
leaning on their canes as returning heroes do in plays, talk across the
footlights to real young soldiers you have just seen limping in with
real wounds--pink-cheeked boys with heads and feet bandaged and Iron
Crosses on black-and-white ribbons tucked into their coats, home from
East Prussia or the Aisne. Then between the acts you must imagine them
pouring out to the refreshment-room for a look at each other and
something to eat--will they never stop eating?--fathers and mothers and
daughters with their Butterbrod and Schinken and big glasses of beer in
the genial German fashion, beaming on the young heroes limping by or,
with heads bandaged like schoolboys with mumps, grinning in spite of
their scars.

And when they drift out into the street at last, softened and brought
together by the play--the street with its lights and flags, officers in
long, blue-gray overcoats and soldiers everywhere, and a military
automobile shooting by, perhaps, with its gay "Ta-tee! Ta-td!"--the
extras are out with another Russian army smashed and two more ships sunk
in the Channel. The old newspaper woman at the Friedrichsstr