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The Project Gutenberg eBook, Men and Women, by Robert Browning This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Men and Women Author: Robert Browning Release Date: December 26, 2005 [eBook #17393] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK MEN AND WOMEN*** This eBook was produced by Dick Adicks. Introduction and Notes: Charlotte Porter and Helen A. Clarke, from the edition of Browning's poems published by Thomas Y. Crowell and Company, New York, in 1898. Editing conventions: The digraphs have been silently rendered as "ae" or "oe." <u`> indicates u-grave, <a`> a-grave, <e`> e-grave, and <a^> a-circumflex. Similarly, u-umlaut is rendered as "ue." Stanza and section numbers have been moved to the left margin, and periods that follow them have been removed. Periods have been omitted after Roman numerals in the titles of popes and nobles. In keeping with contemporary practice, commas have been deleted when they precede dashes and spaces deleted in such contractions as "there's" where the printed text has "there 's." In references to Bible verses, Roman numerals have been changed to Arabic numerals (e. g., "John iii.16" is changed to "John 3:16"). MEN AND WOMEN BY ROBERT BROWNING CONTENTS Introduction (by Charlotte Porter and Helen A. Clarke) "Transcendentalism: A Poem in Twelve Books" How It Strikes a Contemporary Artemis Prologizes An Epistle Containing the Strange Medical Experience of Karshish, the Arab Physician Johannes Agricola in Meditation Pictor Ignotus Fra Lippo Lippi Andrea del Sarto The Bishop Orders His Tomb at Saint Praxed's Church Bishop Blougram's Apology Cleon Rudel to the Lady of Tripoli One Word More INTRODUCTION Thirteen years after the publication, in 1855, of the Poems, in two volumes, entitled "Men and Women," Browning reviewed his work and made an interesting reclassification of it. He separated the simpler pieces of a lyric or epic cast--such rhymed presentations of an emotional moment, for example, as "Mesmerism" and "A Woman's Last Word," or the picturesque rhymed verse telling a story of an experience, such as "Child
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