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The Project Gutenberg EBook of Rudin, by Ivan Turgenev This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Rudin Author: Ivan Turgenev Translator: Constance Garnett Release Date: November, 2004 [EBook #6900] Posting Date: June 1, 2009 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK RUDIN *** Produced by Eric Eldred RUDIN A Novel By Ivan Turgenev Translated from the Russian By Constance Garnett [With an introduction by S. Stepniak] LONDON: WILLIAM HEINEMANN 1894 INTRODUCTION I Turgenev is an author who no longer belongs to Russia only. During the last fifteen years of his life he won for himself the reading public, first in France, then in Germany and America, and finally in England. In his funeral oration the spokesman of the most artistic and critical of European nations, Ernest Renan, hailed him as one of the greatest writers of our times: 'The Master, whose exquisite works have charmed our century, stands more than any other man as the incarnation of a whole race,' because 'a whole world lived in him and spoke through his mouth.' Not the Russian world only, we may add, but the whole Slavonic world, to which it was 'an honour to have been expressed by so great a Master.' This recognition was, however, of slow growth. It had nothing in it of the sudden wave of curiosity and gushing enthusiasm which in a few years lifted Count Tolstoi to world-wide fame. Neither in the personality of Turgenev, nor in his talent, was there anything to strike and carry away popular imagination. By the fecundity of his creative talent Turgenev stands with the greatest authors of all times. The gallery of living people, men, and especially women, each different and perfectly individualised, yet all the creatures of actual life, whom Turgenev introduces to us; the vast body of psychological truths he discovers, the subtle shades of men's feelings he reveals to us, is such as only the greatest among the great have succeeded in leaving as their artistic inheritance to their country and to the world. As regards his method of dealing with his material and shaping it into mould, he stands even higher than as a pure creator. To
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