sire,
What shall I do with the joy in me
That is born out of agony?
Debtor
So long as my spirit still
Is glad of breath
And lifts its plumes of pride
In the dark face of death;
While I am curious still
Of love and fame,
Keeping my heart too high
For the years to tame,
How can I quarrel with fate
Since I can see
I am a debtor to life,
Not life to me?
The Wind in the Hemlock
Steely stars and moon of brass,
How mockingly you watch me pass!
You know as well as I how soon
I shall be blind to stars and moon,
Deaf to the wind in the hemlock tree,
Dumb when the brown earth weighs on me.
With envious dark rage I bear,
Stars, your cold complacent stare;
Heart-broken in my hate look up,
Moon, at your clear immortal cup,
Changing to gold from dusky red--
Age after age when I am dead
To be filled up with light, and then
Emptied, to be refilled again.
What has man done that only he
Is slave to death--so brutally
Beaten back into the earth
Impatient for him since his birth?
Oh let me shut my eyes, close out
The sight of stars and earth and be
Sheltered a minute by this tree.
Hemlock, through your fragrant boughs
There moves no anger and no doubt,
No envy of immortal things.
The night-wind murmurs of the sea
With veiled music ceaselessly,
That to my shaken spirit sings.
From their frail nest the robins rouse,
In your pungent darkness stirred,
Twittering a low drowsy word--
And me you shelter, even me.
In your quietness you house
The wind, the woman and the bird.
You speak to me and I have heard:
If I am peaceful, I shall see
Beauty's face continually;
Feeding on her wine and bread
I shall be wholly comforted,
For she can make one day for me
Rich as my lost eternity.
[End of original text.]
Biographical Note:
Sara Teasdale (1884-1933):
Teasdale was born in St. Louis, Missouri, where she attended a school
that was founded by the grandfather of another great poet from St. Louis--
T. S. Eliot. She later associated herself more with New York City.
Her first book of poems was "Sonnets to Duse" (1907),
but "Helen of Troy" (1911) was the true launch of her career,
followed by "Rivers to the Sea" (1915), "Love Songs" (1917),
"Flame and Shadow" (1920) and more. Her final volume, "Strange Victory",
is consi
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