ti speaks of wrong._"
The river floweth on.
XX.
Nuleeni looked in wonder,
Yet softly answered she--
"By loves that last when lights are past,
I vowed that vow to thee:
But why glads it thee that a bride-day be
By a word of _woe_ defiled?
That a word of _wrong_ take the cradle-song
From the ear of a sinless child?"
"Why?" Luti said, and her laugh was dread,
And her eyes dilated wild--
"That the fair new love may her bridegroom prove,
And the father shame the child!"
The river floweth on.
XXI.
"Thou flowest still, O river,
Thou flowest 'neath the moon;
Thy lily hath not changed a leaf,[5]
Thy charmed lute a tune:
_He_ mixed his voice with thine and _his_
Was all I heard around;
But now, beside his chosen bride,
I hear the river's sound."
The river floweth on.
XXII.
"I gaze upon her beauty
Through the tresses that enwreathe it;
The light above thy wave, is hers--
My rest, alone beneath it:
Oh, give me back the dying look
My father gave thy water!
Give back--and let a little love
O'erwatch his weary daughter!"
The river floweth on.
XXIII.
"Give back!" she hath departed--
The word is wandering with her;
And the stricken maidens hear afar
The step and cry together.
Frail symbols? None are frail enow
For mortal joys to borrow!--
While bright doth float Nuleeni's boat,
She weepeth dark with sorrow.
The river floweth on.
FOOTNOTES:
[2] The Hindoo heaven is localized on the summit of Mount Meru--one of
the mountains of Himalaya or Himmaleh, which signifies, I believe, in
Sanscrit, the abode of snow, winter, or coldness.
[3] Himadeva, the Indian god of love, is imagined to wander through
the three worlds, accompanied by the humming-bird, cuckoo, and gentle
breezes.
[4] The casting of rice upon the head, and the fixing of the band or
tali about the neck, are parts of the Hindoo marriage ceremonial.
[5] The Ganges is represented as a white woman, with a water-lily in
her right hand, and in her left a lute.
_RHYME OF THE DUCHESS MAY._
I.
To the belfry, one by one, went the ringers from the sun,
_Toll slowly._
And the oldest
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