t of 'jewels five
words long,' set and arranged in phrases of that magical and unending
beauty which the very greatest poets of the world command. His effect,
even in description, is rather of mass than of detail. He does not
attempt analysis in character, and only skirts passion. Although
prodigal enough of incident, he is very careless of connected plot. But
his great and abiding glory is that he revived the art, lost for
centuries in England, of telling an interesting story in verse, of
riveting the attention through thousands of lines of poetry neither
didactic nor argumentative. And of his separate passages, his patches of
description and incident, when the worst has been said of them, it will
remain true that, in their own way and for their own purpose, they
cannot be surpassed. The already noticed comparison of any of Scott's
best verse-tales with _Christabel_, which they formally imitated to some
extent, and with the _White Doe of Rylstone_, which followed them, will
no doubt show that Coleridge and Wordsworth had access to mansions in
the house of poetry where Scott is never seen. But in some respects even
their best passages are not superior to his; and as tales, as romances,
his are altogether superior to theirs.
FOOTNOTES:
[12] It is fair to him to say that he made no public complaints, and
that when some gutter-scribbler in 1810 made charges of plagiarism from
him against Scott, he furnished Southey with the means of clearing him
from all share in the matter (_Lockhart_, iii. 293; Southey's _Life and
Correspondence_, iii. 291). But there is a suspicion of fretfulness even
in the Preface to _Christabel_; and the references to Scott's poetry
(not to himself) in the _Table Talk_, etc., are almost uniformly
disparaging. It is true that these last are not strictly evidence.
[13] The objection taken to this word by precisians seems to ignore a
useful distinction. The _antiquary_ is a collector; the _antiquarian_ a
student or writer. The same person may be both; but he may not.
[14] _Waverley_, chap. vi. It owes a little to Smollett's Introduction
to _Humphry Clinker_, but as usual improves the loan greatly.
[15] Inasmuch as he himself was secretary to the Commission which did
away with it.
[16] Taken from the name of his friend Morritt's place on the Greta.
CHAPTER IV
THE NOVELS, FROM _WAVERLEY_ TO _REDGAUNTLET_
In the opening introduction to the collected edition of the novels,
Scott
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