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ttle more unique, a circular hole can be cut in the door, and a pretty blue Japanese plate inserted, held in place at the back, and the door lined. The supports are easily obtained by a visit to a factory where they have a turning lathe. The ornamental finish at the bottom is of lightly carved wood, if one can do these things, or a strip can be purchased at a carpenter shop or wall paper store. Still another way out of the difficulty is to get just the length of Lincrusta and tack it on neatly. Before the hinges and escutcheon are put on, the staining should be done, and the simplest way out of the difficulty is to purchase Pik-Ron, stain whatever color or wood you require, then afterward give it a coat of varnish, coach varnish giving a durable finish that is heavy and beautiful, or the whole cabinet may be covered with the stamped Japanese cotton goods in gilt and colors, each shelf being covered before being put in place, and the uprights gilded or stained. Still again, if the work is of pine, it may be stained a rich bronze, and left with dead finish, which is a very fair imitation of Japanese woodwork. Piano Decoration. An upright piano should be placed with its back to the room. This position is not only good from a decorative standpoint, but a performer likes to be shielded by the instrument. Here are enumerated various graceful ways to cover the polished bareness of this musical instrument. To hang a square of tapestry over the back from a brass rod is exceedingly striking. If possible, let the painted subject relate to music or sentiment, and have it sufficiently large to cover the surface of the piano. If the tapestry is very fine work its surface should be unspoiled by additions. Across the top of the piano lay a scarf of Liberty silk, or another painted panel. The only bric-a-brac that combines with this drapery is a pair of candelabra, the quainter in style the better. Algerian stripes, Bagdad tapestry or Persian prints make good backgrounds. Their cost is $1.25 a yard, and width fifty inches. With this as a foundation many schemes may be carried out. Bas-relief heads in plaster can be swung on it without injuring the wood of the piano. Medallions of Beethoven, Mozart or Wagner can be purchased for $1 each. A long panel of cherubs goes well, or a line of Delft or Japanese plates. A low settle has a comfortable resting place underneath this. Either a box seat upholstered in dark, contrasti
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