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ood upon his table:-- "It is astonishing all that can come out of that inkstand! What will it produce next? Yes, it is wonderful!" "So it is!" exclaimed the inkstand. "It is incomprehensible! That is what I always say." It was thus the inkstand addressed itself to the pen, and to everything else that could hear it on the table. "It is really astonishing all that can come from me! It is almost incredible! I positively do not know myself what the next production may be, when a person begins to dip into me. One drop of me serves for half a side of paper; and what may not then appear upon it? I am certainly something extraordinary. From me proceed all the works of the poets. These animated beings, whom people think they recognise--these deep feelings, that gay humour, these charming descriptions of nature--I do not understand them myself, for I know nothing about nature; but still it is all in me. From me have gone forth, and still go forth, these warrior hosts, these lovely maidens, these bold knights on snorting steeds, those droll characters in humbler life. The fact is, however, that I do not know anything about them myself. I assure you they are not my ideas." "You are right there," replied the pen. "You have few ideas, and do not trouble yourself much with thinking. If you _did_ exert yourself to think, you would perceive that you ought to give something that was not dry. You supply me with the means of committing to paper what I have in me; I write with that. It is the pen that writes. Mankind do not doubt that; and most men have about as much genius for poetry as an old inkstand." "You have but little experience," said the inkstand. "You have scarcely been a week in use, and you are already half worn out. Do you fancy that you are a poet? You are only a servant; and I have had many of your kind before you came--many of the goose family, and of English manufacture. I know both quill pens and steel pens. I have had a great many in my service, and I shall have many more still, when he, the man who stirs me up, comes and puts down what he takes from me. I should like very much to know what will be the next thing he will take from me." Late in the evening the poet returned home. He had been at a concert, had heard a celebrated violin player, and was quite enchanted with his wonderful performance. It had been a complete gush of melody that he had drawn from the instrument. Sometimes it seemed like the gentle m
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