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n other people do not know that they've slipped out of sight; But I have often been afraid that while they visit me Some other little boy, perhaps, may stay up after tea, And when he tries to find them on the pages of his book He cannot see them anywhere, though he may look and look! That's why I never stay awake nor keep them here too long. I go to sleep and let them all slip back where they belong. EDNA A. FOSTER. CHARLOTTE THE CONQUEROR When Charlotte is playing croquet It's really refreshing to see. She wins in the cheerfullest way, Or loses (but rarely!) with glee. She chooses the ball that is blue, And dashes straight into the fray. I want to be present--don't you?-- When Charlotte is playing croquet. And Charlotte is playing croquet From breakfast-time almost till tea. She coaxes us, "Please, won't you play?" And somehow, we always agree. Then oh, for the ball that is blue! What matter the tasks of the day? There's something important to do, For Charlotte is playing croquet! When Charlotte is playing croquet, The neighbors come over to see, The grocer is tempted to stay, The butcher's boy gives advice free, The doctor, forgetting his care, Will linger a bit on his way. There are partners enough and to spare, When Charlotte is playing croquet. HANNAH G. FERNALD. THE SCARECROW He doesn't wander up and down And hoarsely call all day, "O' clo'! O' clo'!" This old-clothes man Has not a word to say. He stands so stiff among the corn, His one stiff arm stuck out, And points a musket at the crows That circle all about. He doesn't tramp the dusty streets, Nor travel, ankle-deep, Through mush and slush, but quiet stands Where baby corn-cobs sleep. He's such a funny old-clothes man! I wonder if it's hard To stand amid the growing corn All summer long on guard. ***END OF THE PROJECT GUTENBERG EBOOK A JOLLY JINGLE-BOOK*** ******* This file should be named 20952.txt or 20952.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/0/9/5/20952 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (a
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