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. Jones's Creek circling past it, and hardly noticed a long band of creeping men and animals steal up from the Meeting House branch, past the tannery and the academy, and plunge into the back streets of the place, avoiding the public square. One file turned down to the creek and crossed it, to return farther above, cutting off all escape by the northern road, while a second file slipped silently through and around the compact little hamlet and waited for the other to arrive, when both encompassed an old brick dwelling standing back from the roadside in a green and venerable yard, nearly half a mile from the settled parts of Dover. This house was brilliantly lighted, and the rose-bushes and shade trees were all defined as they stood above the swells of green verdure and the ornamental paths and flower-beds. One majestic tulip-tree extended its long branches nearly to the portal of the quaint dwelling, and a luxuriant growth of ivy, starting between the cellar windows, clambered to the corniced carpentry of the eaves, and made almost solid panels of vine of the spaces between the four large, keystoned windows in two stories, which stood to the right of the broad, dumpy door. This door, at the top of a flight of steps, was placed so near the gable angle of the house that it gave the impression of but one wing of a mansion originally designed to be twice its length and size. Between this gable--which faced the road, and had four lines of windows in it, besides a basement row--and the back or town door, as described, was one squarish, roomy window, out of relation to all the rest, and perhaps twelve feet above the ground. This, as might be guessed, was on the landing of the stairs within; for the great door and front of the residence being at the opposite side, the whole of the space at the townward gable, to the width of seventeen feet, was a noble hall about forty feet long, lofty, and with pilasters in architectural style, and lighted by two great windows in the gable and the square window on the stairway. The stairway itself was a beautiful piece of work and proportion, rising from the floor in ten railed steps to the landing at the square window, where a space several feet square commanded both the great front door and the windows in the gable, and also the yard behind; thence, at right angles, the flight of steps rose along the back wall to a second landing over the dumpy back-door, and, by a third leap, r
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