sight of his home. His heart warmed to the
lonely place; and the few lights in its windows beckoned him far more
pleasantly than the brilliant illuminations of Vauxhall or Almacks, or
even the cold splendours of royal receptions. He had given Katherine no
warning of his visit--partly because he had a superstitious feeling
about talking of expected joys (he had noticed that when he did so they
vanished beyond his grasp); partly because love, like destiny, loves
surprises; and he wanted to see with his own eyes, and hear with his own
ears, the glad tokens of her happy wonder.
So he rode his horse upon the turf, and, seeing a light in the stable,
carried him there at once. It was just about the hour of the evening
meal, and the house was brighter than it would have been a little later.
The kitchen fire threw great lustres across the brick-paved yard; and
the blinds in Katherine's parlour were undrawn, and its fire and
candle-light shone on the freshly laid tea-table, and the dark walls
gleaming with bunches of holly and mistletoe. But she was not there. He
only glanced inside the room, and then, with a smile on his face, went
swiftly upstairs. He had noticed the light in the upper windows, and he
knew where he would find his wife. Before he reached the nursery, he
heard Katherine's voice. The door was a little open, and he could see
every part of the charming domestic scene within the room. A middle-aged
woman was quietly putting to rights the sweet disorder incident to the
undressing of the baby. Katherine had played with it until they were
both a little flushed and weary; and she was softly singing to the
drowsy child at her breast.
It was a very singular chiming melody, and the low, sweet, tripping
syllables were in a language quite unknown to him. But he thought that
he had never heard music half so sweet and tender; and he listened to
it, and watched the drowsy, swaying movements of the mother, with a
strange delight,--
"Trip a trop a tronjes,
De varkens in de boonjes,
De keojes in de klaver,
De paardeen in de haver,
De eenjes in de waterplass,
So groot mijn kleine Joris wass."
Over and over, softer and slower, went the melody. It was evident that
the boy was asleep, and that Katherine was going to lay him in his
cradle. He watched her do it; watched her gently tuck in the cover, and
s
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