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"And, when you're in work, everybody wants you; and, when you're out of work, they have nothing for you: it's help yourself as best you may!" she said. She had to help herself now; and it was delicate business dealing with people who have only one idea in their heads, to swindle you, in order to curry favor with the managers by getting them cheap turns. They would have skinned you alive: "Two pounds a week. Do you accept?" "Go to Halifax!" Lily would reply in such cases, looking them straight in the face. It took courage to do that: the agent might grow bigger, become an enemy. She didn't care! She wasn't going to lower her price for anybody! And the commission she had to pay them was a torment to Lily; calculating the percentage made her head split--not to speak of the complicated nature of the contracts, worse than insurance policies. The poor artiste was bound down on every side, at the mercy of the manager; everything was foreseen, down to the prohibition of black tights, which concealed one's poverty. And it was bad enough in England; but in the Dago countries, on the continent, it was worse. "Can you understand a word of it, Glass-Eye?" asked Lily, explaining to her maid the tricks which the artiste had to fight against. "I don't know how the small turns manage," she concluded, in the tone of a woman who towers above all that. Lily's prettiness made the people in the street turn round to look at her. They would gaze at her cheeky feather, whisper, "You pretty, pretty darling!" in her ear. Lily, secretly delighted, held herself ready to crush the saucy rascal with a "How dare you?" like a lady who knows how to appreciate a compliment, without permitting the least familiarity. And when she approached the agency, she insisted on Glass-Eye's keeping by her side, asked for things: her wrist-bag, her embroidered handkerchief. And her way of walking in! Lily pretended to be short-sighted, so as to see no one in the rotten lot. She sent in her card, sat down in the waiting-room. It reminded her of the dentist's, with those pale people sitting on benches; those serio-comics, all over-fat; loud-voiced topical singers, who took the place of the real artistes, just like the bioscopes and cinematographs! There were also little families--small turns that had struggled hard to learn a few tricks--nobody wanted them, because they had no "chic" costumes, sometimes, or no lithos.... Those were received like dogs: a w
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