sister in their temples, and we drank to our model
goddesses in wines from the Ionian Archipelago.
That evening, you may remember, Antigone was played at the Odeon in the
Faubourg Saint-Germain.
I have another theory: in any action, foolish or wise, either carry it
through bravely when once undertaken, or refrain from undertaking it. I
had not the wisdom to refrain, therefore I was compelled to imitate the
folly of my friends; at dessert I even abused the invitation, and too
often sought to drown sorrow in the ruby cup.
We started for the Odeon. Our entrance at the theatre caused quite an
excitement. The ladies, cavalierly suspended on the arms of the two
future Eastern ambassadors, sailed in with a conscious air of epicurean
grace and dazzling beauty. The classic ushers obsequiously threw open
the doors, and led us to our box. I brought up the procession, looking
as insolent and proud as I did the day I entered the ruined pagoda of
Bangalore to carry off the statue of Sita.
The first act was being played, and the Athenian school preserved a
religious silence in front of the proscenium. The noise we made by
drawing back the curtain of our box, slamming the door and loudly
laughing, drowned for an instant the touching strains of the tragic
choir, and centred upon us the angry looks of the audience.
With what cool impertinence did our divinities lean over the seats and
display their round white arms, that have so often been copied in Parian
marble by our most celebrated sculptors! Our three intellectual faces,
wreathed in the silly smiles of intoxication, hovered over the silken
curls of our goddesses, thus giving the whole theatre a full view of our
happiness!
Occasionally a glimmer of reason would cross my confused brain, and I
would soliloquize: Why am I disgracing myself in this way before all
these people? What possesses me to act in concert with these drunken
fools and bold women? I must rush out and apologize to the first person
I meet!
It was impossible for me to follow my good impulse--some unseen hand
held me back--some mysterious influence kept me chained to the spot. We
are influenced by magic, although magicians no longer exist!
Between the acts, our two Greek statues criticised the audience in loud
tones, and their remarks, seasoned with attic salt, afforded a peculiar
supplement to the choir of Antigone.
"Those four women on our right must be sensible people," said our blonde
statue; "th
|