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ssess them. To Americans Mrs. Wright is interesting by reason of her patriotism, which amounted to a passion. She is credited with having been an important source of information to the American leaders in the time of the Revolution. In this she was frank and courageous, making no secret of her views. She even ventured to reprove George III. for his attitude toward the Colonists, and by this boldness lost the royal favor. She corresponded with Franklin, in Paris, and new appointments, or other important movements in the British army, were speedily known to him. Washington, when he knew that Mrs. Wright wished to make a bust of him, replied in most flattering terms that he should think himself happy to have his portrait made by her. Mrs. Wright very much desired to make likenesses of those who signed the Treaty of Peace, and of those who had taken a prominent part in making it. She wrote: "To shame the English king, I would go to any trouble and expense, and add my mite to the honor due to Adams, Jefferson, and others." Though so essentially American as a woman, the best of her professional life was passed in England, where she was liberally patronized and fully appreciated. Dunlap calls her an extraordinary woman, and several writers have mentioned her power of judging the character of her visitors, in which she rarely made a mistake, and chose her friends with unusual intelligence. Her eldest daughter married in America, and was well known as a modeller in wax in New York. Her younger daughter married the artist Hoppner, a rival in portraiture of Stuart and Lawrence, while her son Joseph was a portrait painter. His likeness of Washington was much admired. <b>WULFRAAT, MARGARETTA.</b> Born at Arnheim. 1678-1741. Was a pupil of Caspar Netscher of Heidelberg, whose little pictures are of fabulous value. Although he was so excellent a painter he was proud of Margaretta, whose pictures were much admired in her day. Her "Musical Conversation" is in the Museum of Schwerin. Her "Cleopatra" and "Semiramis" are in the Gallery at Amsterdam. <b>YANDELL, ENID.</b> Special Designer's Medal, Chicago, 1893; silver medal, Tennessee Exposition; Honorable Mention, Buffalo, 1901. Member of National Sculpture Society; Municipal Art Society; National Arts Club, all of New York. Born in Louisville, Kentucky. Graduate of Cincinnati Art Academy. Pupil of Philip Martiny in New York, and in Paris of Frederick McMonnies and A
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