FREE BOOKS

Author's List




PREV.   NEXT  
|<   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121  
122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   >>   >|  
ever heard in the National Hotel, and the whole company observed that their heads ached with the effort--as well they might." A talker who monopolizes the conversation is by common consent insufferable, and a man who regulates his choice of topics by reference to what interests not his hearers but himself has yet to learn the alphabet of the art. Conversation is like lawn-tennis, and requires alacrity in return at least as much as vigour in service. A happy phrase, an unexpected collocation of words, a habitual precision in the choice of terms, are rare and shining ornaments of conversation, but they do not for an instant supply the place of lively and interesting matter, and an excessive care for them is apt to tell unfavourably on the substance of discourse. "I might as well attempt to gather up the foam of the sea as to convey an idea of the extraordinary language in which he clothed his description. There were at least five words in every sentence that must have been very much astonished at the use they were put to, and yet no others apparently could so well have expressed his idea. He talked like a racehorse approaching the winning-post--every muscle in action, and the utmost energy of expression flung out into every burst." This is a contemporary description of Lord Beaconsfield's conversation in those distant days when, as a young man about town, he was talking and dressing his way into social fame. Though written in admiration, it seems to me to describe the most intolerable performance that could ever have afflicted society. _He talked like a racehorse approaching the winning-post_. Could the wit of man devise a more appalling image? Mr. Matthew Arnold once said to me: "People think that I can teach them style. What stuff it all is! Have something to say, and say it as clearly as you can. That is the only secret of style." This dictum applies, I think, at least as well to conversation as to literature. The one thing needful is to have something to say. The way of saying it may best be left to take care of itself. A young man about town once remarked to me, in the tone of one who utters an accepted truism: "It is so much more interesting to talk about people than things." The sentiment was highly characteristic of the mental calibre and associations of the speaker; and certainly the habitual talk--for it is not conversation--of that section of society which calls itself "smart" seems to touch the lowest de
PREV.   NEXT  
|<   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121  
122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   >>   >|  



Top keywords:

conversation

 

society

 
interesting
 
habitual
 
description
 

winning

 

approaching

 

talked

 

racehorse

 

choice


devise

 

appalling

 

talking

 

dressing

 

social

 
distant
 

Though

 
intolerable
 

performance

 
describe

written

 

admiration

 
afflicted
 

people

 

things

 

sentiment

 

highly

 

truism

 

remarked

 

utters


accepted

 
characteristic
 

mental

 

lowest

 

section

 

calibre

 

associations

 

speaker

 

Arnold

 

People


needful

 

secret

 

dictum

 

applies

 

literature

 

Matthew

 
astonished
 
tennis
 
requires
 

alacrity