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The Project Gutenberg eBook, The Saint's Tragedy, by Charles Kingsley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Saint's Tragedy Author: Charles Kingsley Release Date: February 27, 2004 [eBook #11346] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK THE SAINT'S TRAGEDY*** Transcribed by David Price, email ccx074@coventry.ac.uk THE SAINT'S TRAGEDY PREFACE BY THE REV. F. D. MAURICE, M.A. (1848) The writer of this play does not differ with his countrymen generally, as to the nature and requirements of a Drama. He has learnt from our Great Masters that it should exhibit human beings engaged in some earnest struggle, certain outward aspects of which may possibly be a spectacle for the amusement of idlers, but which in itself is for the study and the sympathy of those who are struggling themselves. A Drama, he feels, should not aim at the inculcation of any definite maxim; the moral of it lies in the action and the character. It must be drawn out of them by the heart and experience of the reader, not forced upon him by the author. The men and women whom he presents are not to be his spokesmen; they are to utter themselves freely in such language, grave or mirthful, as best expresses what they feel and what they are. The age to which they belong is not to be contemplated as if it were apart from us; neither is it to be measured by our rules; to be held up as a model; to be condemned for its strangeness. The passions which worked in it must be those which are working in ourselves. To the same eternal laws and principles are we, and it, amenable. By beholding these a poet is to raise himself, and may hope to raise his readers, above antiquarian tastes and modern conventions. The unity of the play cannot be conferred upon it by any artificial arrangements; it must depend upon the relation of the different persons and events to the central subject. No nice adjustments of success and failure to right and wrong must constitute its poetical justice; the conscience of the readers must be satisfied in some deeper way than this, that there is an order in the universe, and that the poet has perceived and asserted it
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