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- began). I had arrived late in the evening at Florence, and while I finished my bottle of wine at supper, had fancied that, tired traveller though I was, I might pay the city a finer compliment than by going vulgarly to bed. A narrow passage wandered darkly away out of the little square before my hotel, and looked as if it bored into the heart of Florence. I followed it, and at the end of ten minutes emerged upon a great piazza, filled only with the mild autumn moonlight. Opposite rose the Palazzo Vecchio, like some huge civic fortress, with the great bell-tower springing from its embattled verge as a mountain-pine from the edge of a cliff. At its base, in its projected shadow, gleamed certain dim sculptures which I wonderingly approached. One of the images, on the left of the palace door, was a magnificent colossus, shining through the dusky air like a sentinel who has taken the alarm. In a moment I recognised him as Michael Angelo's _David_. I turned with a certain relief from his sinister strength to a slender figure in bronze, stationed beneath the high light loggia, which opposes the free and elegant span of its arches to the dead masonry of the palace; a figure supremely shapely and graceful; gentle, almost, in spite of his holding out with his light nervous arm the snaky head of the slaughtered Gorgon. His name is Perseus, and you may read his story, not in the Greek mythology, but in the memoirs of Benvenuto Cellini. Glancing from one of these fine fellows to the other, I probably uttered some irrepressible commonplace of praise, for, as if provoked by my voice, a man rose from the steps of the loggia, where he had been sitting in the shadow, and addressed me in good English--a small, slim personage, clad in a sort of black velvet tunic (as it seemed), and with a mass of auburn hair, which gleamed in the moonlight, escaping from a little mediaeval birretta. In a tone of the most insinuating deference he asked me for my "impressions." He seemed picturesque, fantastic, slightly unreal. Hovering there in this consecrated neighbourhood, he might have passed for the genius of aesthetic hospitality--if the genius of aesthetic hospitality were not commonly some shabby little custode, flourishing a calico pocket-handkerchief and openly resentful of the divided franc. This analogy was made none the less complete by the brilliant tirade with which he greeted my embarrassed silence. "I have known Florence l
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