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no ignoble name; she might have helped to fill the already crowded and cumbered world with pictures, not destitute of merit, but falling short, if by ever so little, of the best that has been done; she might thus have gratified some tastes that were incapable of appreciating Raphael. But this could be done only by lowering the standard of art to the comprehension of the spectator. She chose the better and loftier and more unselfish part, laying her individual hopes, her fame, her prospects of enduring remembrance, at the feet of those great departed ones whom she so loved and venerated; and therefore the world was the richer for this feeble girl. Since the beauty and glory of a great picture are confined within itself, she won out that glory by patient faith and self-devotion, and multiplied it for mankind. From the dark, chill corner of a gallery,--from some curtained chapel in a church, where the light came seldom and aslant,--from the prince's carefully guarded cabinet, where not one eye in thousands was permitted to behold it, she brought the wondrous picture into daylight, and gave all its magic splendor for the enjoyment of the world. Hilda's faculty of genuine admiration is one of the rarest to be found in human nature; and let us try to recompense her in kind by admiring her generous self-surrender, and her brave, humble magnanimity in choosing to be the handmaid of those old magicians, instead of a minor enchantress within a circle of her own. The handmaid of Raphael, whom she loved with a virgin's love! Would it have been worth Hilda's while to relinquish this office for the sake of giving the world a picture or two which it would call original; pretty fancies of snow and moonlight; the counterpart in picture of so many feminine achievements in literature! CHAPTER VII BEATRICE Miriam was glad to find the Dove in her turret-home; for being endowed with an infinite activity, and taking exquisite delight in the sweet labor of which her life was full, it was Hilda's practice to flee abroad betimes, and haunt the galleries till dusk. Happy were those (but they were very few) whom she ever chose to be the companions of her day; they saw the art treasures of Rome, under her guidance, as they had never seen them before. Not that Hilda could dissertate, or talk learnedly about pictures; she would probably have been puzzled by the technical terms of her own art. Not that she had much to say about wh
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