. "I've never seen the like," was how he phrased his
astonishment later, in the servants' hall, "never in all my born days.
To see that melon-'eaded himp in a cricket-cap hordering the master
about. Well, there----"
"Jessop says he fair got the creeps drivin' 'im over," said the cook.
"'E says the child's not right in 'is 'ead."
Much embroidery followed in the servants' hall.
INTERLUDE
This brief history of the Hampdenshire Wonder is marked by a stereotyped
division into three parts, an arbitrary arrangement dependent on the
experience of the writer. The true division becomes manifest at this
point. The life of Victor Stott was cut into two distinct sections,
between which there is no correlation. The first part should tell the
story of his mind during the life of experience, the time occupied in
observation of the phenomena of life presented to him in fact, without
any specific teaching on the theories of existence and progress, or on
the speculation as to ultimate destiny. The second part should deal with
his entry into the world of books; into that account of a long series of
collated experiments and partly verified hypotheses we call science;
into the imperfectly developed system of inductive and deductive logic
which determines mathematics and philosophy; into the long, inaccurate
and largely unverifiable account of human blindness and error known as
history; and into the realm of idealism, symbol, and pitiful pride we
find in the story of poetry, letters, and religion.
I will confess that I once contemplated the writing of such a history.
It was Challis who, in his courtly, gentle way, pointed out to me that
no man living had the intellectual capacity to undertake so profound a
work.
For some three months before I had this conversation with Challis, I had
been wrapped in solitude, dreaming, speculating. I had been uplifted in
thought, I had come to believe myself inspired as a result of my
separation from the world of men, and of the deep introspection and
meditation in which I had been plunged. I had arrived at a point,
perhaps not far removed from madness, at which I thought myself capable
of setting out the true history of Victor Stott.
Challis broke the spell. He cleared away the false glamour which was
blinding and intoxicating me and brought me back to a condition of
open-eyed sanity. To Challis I owe a great debt.
Yet at the moment I was sunk in depression. All the glory of my visio
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