FREE BOOKS

Author's List




PREV.   NEXT  
|<   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158  
159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   >>   >|  
l make you more observant, and less regardful of details; or if you do regard the details, and forget the other things, it will show you how inadequate those details are to real expression, unless there is something larger to place them on. Don't undertake the painting of a head without considering well that you are likely to have trouble, and that the trouble you will have is most likely to be of a kind that you don't expect. But, having begun, keep your head and your grit, and do the best you can. Remember that you learn by mistakes, and failures are a part of every man's work, and of every painter's experience, and not only of your own. You will save your self-esteem from considerable bruising if you make it a point never to let your sitter see your work till you are pretty well over the worst of it. The knowledge that it is to be seen will make you work less unconsciously, and you will find yourself trying for likeness, and all that sort of thing, when that is not what you should be thinking about; and if, after all, the thing is a failure, it is a great consolation to know that no one but yourself has seen it! =Beginning a Portrait.=--The ways of beginning portraits are innumerable. There is no one right way. Some are right for one painter or subject, and some for others; but there are some methods which are more advisable for the beginner. You can begin and carry through your painting entirely with body color, or you can begin it with _frottees_, and paint solidly into that. Take these two methods as types, and work in one or the other, according to what are the special qualities you want your work to have. If you have never painted a head, and have some knowledge of the use of paint and of drawing, I would suggest that you make a few studies of the head and shoulders, life size, in solid color, and on a not too large canvas, say sixteen by twenty inches. This will leave you no extra space, and you can devote your whole attention to the study of the head, with only a few inches of background around it. You will probably make the head too large. A head looks larger than it really is, especially when you are putting it on canvas. If you measure them you will find that few heads will be longer than nine inches from the top of the hair to the bottom of the chin. Take this as the regular size in drawing it on your canvas, and make the other proportions according to that. Make a drawing of the outlines in
PREV.   NEXT  
|<   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158  
159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   >>   >|  



Top keywords:
inches
 

drawing

 

details

 
canvas
 

knowledge

 

painter

 

methods

 

larger

 

trouble

 

painting


forget

 
suggest
 

studies

 
shoulders
 
regard
 

things

 

solidly

 

expression

 

frottees

 

inadequate


qualities

 

regardful

 

special

 

painted

 

longer

 
measure
 

putting

 

proportions

 

outlines

 

regular


bottom

 

twenty

 
sixteen
 

devote

 

background

 

attention

 

observant

 

beginner

 

sitter

 

considerable


bruising
 
pretty
 

unconsciously

 

expect

 

esteem

 
Remember
 

mistakes

 
failures
 
experience
 

likeness