actly adapted to the novelty
of acting. The thought returned again and again. "Oh for the Ecclesford
theatre and scenery to try something with." Each sister could echo the
wish; and Henry Crawford, to whom, in all the riot of his gratifications
it was yet an untasted pleasure, was quite alive at the idea. "I really
believe," said he, "I could be fool enough at this moment to undertake
any character that ever was written, from Shylock or Richard III down to
the singing hero of a farce in his scarlet coat and cocked hat. I feel
as if I could be anything or everything; as if I could rant and storm,
or sigh or cut capers, in any tragedy or comedy in the English language.
Let us be doing something. Be it only half a play, an act, a scene; what
should prevent us? Not these countenances, I am sure," looking towards
the Miss Bertrams; "and for a theatre, what signifies a theatre? We
shall be only amusing ourselves. Any room in this house might suffice."
"We must have a curtain," said Tom Bertram; "a few yards of green baize
for a curtain, and perhaps that may be enough."
"Oh, quite enough," cried Mr. Yates, "with only just a side wing or two
run up, doors in flat, and three or four scenes to be let down; nothing
more would be necessary on such a plan as this. For mere amusement among
ourselves we should want nothing more."
"I believe we must be satisfied with _less_," said Maria. "There would
not be time, and other difficulties would arise. We must rather adopt
Mr. Crawford's views, and make the _performance_, not the _theatre_, our
object. Many parts of our best plays are independent of scenery."
"Nay," said Edmund, who began to listen with alarm. "Let us do nothing
by halves. If we are to act, let it be in a theatre completely fitted
up with pit, boxes, and gallery, and let us have a play entire from
beginning to end; so as it be a German play, no matter what, with a good
tricking, shifting afterpiece, and a figure-dance, and a hornpipe, and a
song between the acts. If we do not outdo Ecclesford, we do nothing."
"Now, Edmund, do not be disagreeable," said Julia. "Nobody loves a play
better than you do, or can have gone much farther to see one."
"True, to see real acting, good hardened real acting; but I would hardly
walk from this room to the next to look at the raw efforts of those who
have not been bred to the trade: a set of gentlemen and ladies, who have
all the disadvantages of education and decorum to struggle
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