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character. The Baroness de Vibray visited them frequently, and her motor-car used to attract attention in that high, remote suburb--the wilds of Montmartre. The old lady liked to dress in rather showy colours; she was considered eccentric, but was also known to be good and generous. She took a particular interest in the Dollons, whose family, so it was said, she had known in Provence. Jacques Dollon and his sister highly valued their intimacy with the Baroness de Vibray, who was known all over Paris as a patroness of artists and the arts. _First Verifications_ Already slander and imagination between them had concocted the wildest stories, when Monsieur Agram, the eminent police superintendent of the Clignancourt Quarter, appeared at the entrance to the Close. Accompanied by his secretary, he at once entered Number 6, charging the two policemen, who were assisting him, on no account to allow anyone to enter, excepting the doctor, whom he had at once sent for. He requested the portress to hold herself at his disposal in the garden, and made Madame Beju accompany him to the studio. Barely twenty minutes had elapsed since the housekeeper had been terror-struck by the dreadful spectacle which had met her eyes there. When she entered with the superintendent of police nothing had been altered. Madame de Vibray, horribly pale, her eyes closed, her lips violet-hued, lay stretched on the floor: her body had assumed the rigidity of a corpse. That of Jacques Dollon, huddled in an arm-chair, was in a state of immobility. Monsieur Agram at once noticed long, intersecting streaks on the floor, such as might have been traced by heavy furniture dragged over the waxed boards of the flooring. A pungent medicinal odour caught the throats of the visitors: Madame Beju was about to open a window: the superintendent stopped her: 'Let things remain as they are for the present,' was his order. After casting an observant eye round the room he questioned the housekeeper: 'Is this state of disorder usual?' 'Never in this world, sir!' declared the good woman. 'Monsieur Dollon and his sister are very steady, very regular in their habits, especially the young lady. It is true that she has been absent for nearly a month, but her brother has often been left alone, and he has always insisted on his studio being kept in good order.' 'Did Monsieur Dollon have many visitors?' 'Very seldom, monsieur. Sometimes
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