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The Project Gutenberg EBook of American Poetry, 1922, by Edna St. Vincent Millay and Robert Frost This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: American Poetry, 1922 A Miscellany Author: Edna St. Vincent Millay Robert Frost Release Date: June 23, 2008 [EBook #25880] [Date last updated: January 2, 2009] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK AMERICAN POETRY, 1922 *** Produced by David Starner, Huub Bakker, Stephen Hope and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) Transcriber's Notes Some text styles have been preserved in this text by enclosing between special characters. Italics uses _underlines_ and small caps uses ~tildes~. Font sizes are not preserved. AMERICAN POETRY 1922 A MISCELLANY [Illustration] NEW YORK HARCOURT, BRACE AND COMPANY COPYRIGHT, 1922, BY HARCOURT, BRACE AND COMPANY, INC. PRINTED IN THE U. S. A. BY THE QUINN & BODEN COMPANY RAHWAY, N. J. A FOREWORD When the first Miscellany of American Poetry appeared in 1920, innumerable were the questions asked by both readers and reviewers of publishers and contributors alike. The modest note on the jacket appeared to satisfy no one. The volume purported to have no editor, yet a collection without an editor was pronounced preposterous. It was obviously not the organ of a school, yet it did not seem to have been compiled to exploit any particular phase of American life; neither Nature, Love, Patriotism, Propaganda, nor Philosophy could be acclaimed as its reason for being, and it was certainly not intended, as has been so frequent of late, to bring a cheerful absence of mind to the world-weary during an unoccupied ten minutes. Again, it was exclusive not inclusive, since its object was, evidently, not the meritorious if impossible one of attempting to be a compendium of present-day American verse. But the publisher's note had stated one thing quite clearly, that the Miscellany was to be a biennial. Two years have passed, and with the second volume it has seemed best
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