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horses, each one of whom he can call by name; a hundred and fifty dogs; and a building for training his animals larger than Madison Square Garden." These eloquent lines will prove to you more clearly than pages of argument the native heroism of the man. He was scarce out of his cradle when he began to amass vast sums of money, and he is now, after many years of adventure, a king upon Wall Street. He represents the melodrama of wealth. He seems to live in an atmosphere of mysterious disguises, secret letters, and masked faces. His famous contest with Mr H. H. Rogers, "the wonderful Rogers, the master among pirates, whom you have to salute even when he has the point of his cutlass at the small of your back and you're walking the plank at his order," was conducted, on Mr Lawson's part, in the spirited style of the old Adelphi. "Mr Rogers' eyes snapped just once," we are told, on a famous occasion; but Mr Lawson was not intimidated. "I held myself together," he says proudly, "with closed hands and clinched teeth." Indeed, these two warriors have never met without much snapping of eyes and closing of hands and clinching of teeth. Why they snapped and closed and clinched is uncertain. To follow their operations is impossible for an outsider, but Mr Lawson always succeeds in convincing you that on the pretence of money-making he is attacking some lofty enterprise. He would persuade you that he is a knight-errant of purity. "Tremendous issues" are always at stake. The heroes of Wall Street are engaged in never-ending "battles." They are "fighting" for causes, the splendour of which is not dimmed in Mr Lawson's lurid prose. They have Americanised the language of ancient chivalry, until it fits the operations of the modern market. They talk of honour and of "taking each other's word," as though they had never stooped to dollars in their lives. But of one thing you may be sure--they are always "on hand when a new melon is cut and the juice runs out." Like the knights of old, they toil not neither do they spin. They make nothing, they produce nothing, they invent nothing. They merely gamble with the savings of others, and find the business infinitely profitable. Yet they, too, must cultivate the language of sentiment. Though the world is spared the incubus of their philanthropy, they must pretend, in phrase at least, that they are doing good, and their satisfaction proves that nothing so swiftly and tranquilly lulls the conscience
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